Omen is a visually inventive, often fascinating exploration of Congelese mores, but lacks incisiveness. Now playing in Un Certain Regard at Cannes 2023.
Omen Can Create But it Cannot Destroy

Exploring the Outer Edge of Film
Omen is a visually inventive, often fascinating exploration of Congelese mores, but lacks incisiveness. Now playing in Un Certain Regard at Cannes 2023.
With their third film, Blackbird Blackbird Blackberry, Georgian director Elene Naveriani re-asserts themselves as a major voice in world cinema.
The (Ex)perience of Love, playing in Critics’ Week, is a silly movie. But its fantasy premise is treated with smarts and sensitivity, making for a fun watch.
An enigmatic first half is undone by a mid backend in mysterious French noir The Rapture, playing in Critics’ Week at Cannes.
The Cannes ACID section focusses on normal lives in independent films, celebrating perspectives often overlooked in bigger programmes.
The coming-of-age genre, told over a scorching summer, is imbued with cinematic flair in Paloma Sermon-Daï’s fiction debut.
A social drama with smart dramaturgy and effective mise-en-scène, Inshallah A Boy piercingly critiques Jordan’s male-first inheritance culture.