Matthew Rankin’s culture-bending comedy fable throws up all kinds of intellectual questions, but rarely engages on a deeper, emotional level.
Parsing the Puzzling Persian of Universal Language
Tag: Cannes
Megalopolis Invites You To The Future Of Cinema
Francis Ford Coppola’s long-awaited, soon-to-be-endlessly-debated, epic Megalopolis asks you to consider the power of art to change the course of time.
Holy Cow. Curdled Maturity.
Love and cheese freely intermingle in Louise Courvoisier’s diverting yet underwhelming debut Holy Cow, (somehow) playing in Un Certain Regard.
(Don’t) Believe The Hyperboreans
Disturbing and entertaining in equal measure, Cristobal León and Joaquín Cociña’s wildly inventive metafiction The Hyperboreans is a standout work from Cannes.
Capitalism Is a Locust
The twin spectres of China and capitalism haunt every frame of KEFF’s gangland debut Locust, with shades of Edward Yang’s A Brighter Summer Day.
When the Light Breaks Has (Almost) All The Right Takes
When the Light Breaks is Rúnarsson’s return to his earlier, sadder work, but is undone by an unnecessarily sentimental streak. Opens Un Certain Regard.
Underseen Festival Favourites 2023
Taking stock of all the excellent films that have played at festivals in 2023 that you most probably haven’t heard of yet. From Cannes, Berlinale, and more.
All To Play For. Not Enough to Stay For.
All To Play asks if love is enough to keep a family together in this safe, carefully modulated social realist French drama starring Virginie Efira.
“We are not used to seeing these kinds of bodies” — Elene Naveriani on Blackbird Blackbird Blackberry
Elene Naveriani shares casting Eka Chavleishvili, portraying older bodies, and casting a critical eye over rural Georgia in Blackbird Blackbird Blackberry.
Marguerite’s Theorem Cracks Under Its Own Formula
Marguerite’s Theorem is proof that making movies about maths only works when you’re willing to forego generic filmmaking formulas.