Lukas Dhont’s follow up to Close (2022) is a touching tale of art-making during war, touching on themes of sexuality, fantasy and the harshness of reality.
Theatre at War
Exploring the Outer Edge of Film
Lukas Dhont’s follow up to Close (2022) is a touching tale of art-making during war, touching on themes of sexuality, fantasy and the harshness of reality.
Asghar Farhadi’s Parallel Tales has been critically panned, but our reviewer found its tribute to the work of KieÅ›lowski remarkably touching.
With an impossibly beautiful aesthetic, Konstantina Kotzamani’s Titanic Ocean is a unique mermaid movie that transports you to another world.
Told with his usual neon-heavy aesthetic, Nicolas Winding Refn’s Her Private Hell is a beguiling tale of absent parenthood, playing Out of Competition.
Ron Howard’s tribute to Richard Avedon is a faithful exploration of how the famed photographer invented reality with his imaginative photographs.
Angela Schnalec’s DOP travels to Cambodia for an intellectually rigorous, if slightly tedious docufiction about the rich-poor divide.
Valentina Maurel’s sophomore feature, Forever Your Maternal Animal, is a touching tale of familial bonds, mental illness and feminine sexuality.
Anchored by an excellent performance by Eva Huault, Shana is a deeply entertaining Parisian-set tale of Jewish identity and feminine chaos.
Jafar Panahi’s Un Simple Accident Palme characterises a Cannes line-up that will be better known for its political potential than its aesthetic content.
The way institutions discriminate against queer parents is expertly depicted in Love Me Tender, with a standout performance from Vicky Krieps.