Taking stock of all the excellent films that have played at festivals in 2023 that you most probably haven’t heard of yet. From Cannes, Berlinale, and more.
Underseen Festival Favourites 2023

Exploring the Outer Edge of Film
Taking stock of all the excellent films that have played at festivals in 2023 that you most probably haven’t heard of yet. From Cannes, Berlinale, and more.
All To Play asks if love is enough to keep a family together in this safe, carefully modulated social realist French drama starring Virginie Efira.
Elene Naveriani shares casting Eka Chavleishvili, portraying older bodies, and casting a critical eye over rural Georgia in Blackbird Blackbird Blackberry.
Marguerite’s Theorem is proof that making movies about maths only works when you’re willing to forego generic filmmaking formulas.
Omen is a visually inventive, often fascinating exploration of Congelese mores, but lacks incisiveness. Now playing in Un Certain Regard at Cannes 2023.
With their third film, Blackbird Blackbird Blackberry, Georgian director Elene Naveriani re-asserts themselves as a major voice in world cinema.
The (Ex)perience of Love, playing in Critics’ Week, is a silly movie. But its fantasy premise is treated with smarts and sensitivity, making for a fun watch.
An enigmatic first half is undone by a mid backend in mysterious French noir The Rapture, playing in Critics’ Week at Cannes.
The Cannes ACID section focusses on normal lives in independent films, celebrating perspectives often overlooked in bigger programmes.
The coming-of-age genre, told over a scorching summer, is imbued with cinematic flair in Paloma Sermon-Daï’s fiction debut.