Reflection in a Dead Diamond is a loving and deeply satisfying riff on classic spy tropes with a true and abiding love of the genre.
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Exploring the Outer Edge of Film
Reflection in a Dead Diamond is a loving and deeply satisfying riff on classic spy tropes with a true and abiding love of the genre.
Lucile Hadžihalilović’s The Ice Tower is a forbidding and slow riff on Hans Christian Andersen with a movie star performance from Marion Cotillard.
Lesbian desire and mother-daughter issues intermix on the beach in Rebecca Lenkiewicz’s debut feature Hot Milk. Playing in Competition.
The rhythms of village life are perceptively captured in Huo Meng’s intimate epic Living the Land, which is handsomely made but holds the audience at a remove.
From feminine rage to mysterious dancing to intimate animal representation to deconstructing a famous image, DOK Leipzig splits the body apart.
A man’s grief-induced amnesia provides excellent inspiration for a journey through the past in Sara Fgaier’s powerful debut Weightless.
Sean Baker continues his deeply humanist exploration of sex workers’ complex inner lives with the touching and charming Russian-American fairytale Anora.
Coralie Fargeat’s The Substance boasts impressive technical sound design and monster work but suffers from a lack of compelling female characters.
Francis Ford Coppola’s long-awaited, soon-to-be-endlessly-debated, epic Megalopolis asks you to consider the power of art to change the course of time.
Hippos become a metaphor for Colombia, the state of humanity and the world’s capacity for cruelty in Nelson Carlo De Los Santos Arias’s unclassifiable Pepe.