Danish paedo drama Cute is a well-made exploration of forbidden desires that unfortunately raises as many bad questions as good ones.
Cuteness Overload
Exploring the Outer Edge of Film
Danish paedo drama Cute is a well-made exploration of forbidden desires that unfortunately raises as many bad questions as good ones.
Patric Chiha’s A Russian Winter is a minor work, but a nonetheless rewarding one: capturing exiled Russian youth in a tragic holding pattern.
Why Do I See You in Everything? surveys the notion of home amid living in exile, but feels unfocussed while tending towards the tedious.
My Boyfriend the Fascist is a fascinating and tender look at how holding honourable beliefs can often lead to manipulation by more nefarious forces.
Sarah Friedland’s potent debut takes time and care to depict the ins and outs of living with dementia, to powerful results. Live from Venice Film Festival.
In All, Or Nothing At All, presented in two unique, each-way versions, Jiajun Zhang captures the modern malaise of contemporary Chinese capitalism.
Going To Mars: The NIkki Giovanni Project is a fascinating documentary, but hides a more fascinating character study behind hagiography.