In All, Or Nothing At All, presented in two unique, each-way versions, Jiajun Zhang captures the modern malaise of contemporary Chinese capitalism.
Mall of Us Strangers
Tag: Film
To Be An Extra Examines a Self In Parts
Long consigned to the cinematic sidelines, perpetual extra Henrike Meyer gathers her manifold experiences into a touching journey of self-actualisation.
My First Film Testifies to the Collective Energy Necessary for All Creation
A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
“This is a story of becoming” – Philipp Fussenegger, Judy Landkammer and Susanne Heuer on The Teaches of Peaches
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.
Pepe is Dead. Long Live Pepe.
Hippos become a metaphor for Colombia, the state of humanity and the world’s capacity for cruelty in Nelson Carlo De Los Santos Arias’s unclassifiable Pepe.
Architecton Insists Upon Itself
Architecton has some awe-inspiring visuals, but its let down by its distracting high frame rate and suspect choice of images.
Sterben Hits the Thin Line with Ease
Funnier than most out-and-out comedies, Sterben captures the messy absurdity of life in all its glory, despite, or perhaps, because of, the sad subject matter.
Polyphonic Russian Voices, Deftly Intercepted
A rigorous and brutal documentation of Russian brutality in Ukraine, Intercepted’s absences stir the worst recesses of the human imagination.
Brief History of a Family: Failson v. Social Climber
The problems with China’s one-child policy are laid bare in Jianjie Lin’s effective and creepy debut Brief History of a Family, live from Berlinale Panorama.
There’s Plenty of Fake News at The Editorial Office
Roman Bondarchuk takes us to a pre-invasion Southern Ukraine in his Forum satire The Editorial Office, filled with weighty topics while lacking cinematic bite.