Ratchapoom Boonbunchachoke’s debut feature A Useful Ghost is a remarkably profound — and silly — reverie on love, loss and assimilation.
A Useful Ghost’s House of Haunted Hoovers

Exploring the Outer Edge of Film
Ratchapoom Boonbunchachoke’s debut feature A Useful Ghost is a remarkably profound — and silly — reverie on love, loss and assimilation.
The construction of the Grande Arche de la Défense is recreated in loving detail in Stéphane Demoustier’s crowdpleasing, yet underwhelming The Great Arch.
BDSM and domination is used as a metaphor for the human condition in Alexe Poukine’s Kika, a deeply heartfelt tale about overcoming grief.
With echoes of Wake in Fright and Carrie, Julia Kowalski’s Her Will Be Done is a provocative, satisfying body horror that lingers long in the memory.
Multiple layers of ambiguity characterise Louise Hémon’s debut feature, a fascinating turn-of-the-century tale about the snowy road to enlightenment.
French dramedy Drifting Laurent is a slow and seemingly aimless film that provides oodles of charm in its depiction of an mid-season alpine resort.
A fine animation style is wasted by a deadeningly boring script in Félix Dufour-Laperrière’s surrealist eco-thriller Death Does Not Exist.
The very definition of a hangout movie, ACID opener L’Aventura explores the quotidian moments that most contemporary cinema often breezes by.
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
The highs and lows of die-hard football fan culture is lovingly surveyed in Ragnhild Ekner’s excellent documentary Ultras.