Film - Journey Into Cinema

The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.

The highs and lows of die-hard football fan culture is lovingly surveyed in Ragnhild Ekner’s excellent documentary Ultras.

A witty, low-key riff on the intersection between love and espionage, Black Bag is one of the best spy films to come out in recent years.

A24’s broadest comedy yet, Death of a Unicorn feels woefully miscast, providing another eat-the-rich satire that has nothing interesting to say.

Try as it may, Drop is hampered by its central conceit, with its surprise smartphone messages more of a pain than a genuine source of tension.

Oscar-nominated short I’m Not a Robot examines the line between humanity and identity, exploring the illusion of control with humour and precision.

An unrequited love story powers Dreams, the final installment in Dag Johan Haugerud’s powerful Sex Love trilogy, playing in Competition.

The dreamlike Eel is a promising debut from Taiwanese director Chu Chun-Teng that thrives within liminal spaces — live from Perspectives.

Set entirely on the opening night of Oklahoma!, Richard Linklater’s talky film Blue Moon reunites him with Before trilogy star Ethan Hawke.

A trip to a trauma retreat turns increasingly nightmarish in Madeleine Sims-Fewer and Dusty Mancinelli’s Honey Bunch, playing in Berlinale Special.