Ondřej Provazník’s sophomore film is a slow-burn look at abuse featuring a brilliant performance from Juraj Loj as a manipulative choirmaster.
Broken Voices Makes The Right Choices
Exploring the Outer Edge of Film
Ondřej Provazník’s sophomore film is a slow-burn look at abuse featuring a brilliant performance from Juraj Loj as a manipulative choirmaster.
Two balding men travel to Instanbul for a transplant in Manoël Dupont’s uneven yet fascinating hybrid film Before/After.
With careful drone footage and plenty of nature shots, Dmytro Hreshko creates a powerful portrait of how Russia has commited ecocide in Ukraine.
At once an abstract exploration of mental health and a potent political piece, Action Item is a fine mid-length essay doc from Paula Ďurinová.
While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
With no voiceover used, Maciej J. Drygas relies entirely on montage, music and sound design to use trains to tell the story of the twentieth century.
With a tight 1:1 ratio and an eye for arresting visuals, Windless sure looks great, but its grief-laden tale fails to hit with the viewer emotionally.
A study of a young confused man that examines the changing mores of Georgian society, Panopticon fails to stimulate the brain or the heart.
Keeping Mum investigates the difficulties of breaking generational trauma with open-heartedness and a willingness to embrace the cringe.
Love fights the forces of economics and corruption in the underwhelming Iranian drama Empty Nets — live from Karlovy Vary Film Festival.