Axel Bertha talks to us about his debut feature Against Nature, casting non-professional actors and being mentored by Carlos Reygadas.
“The universe doesn’t care about us, it doesn’t even know we’re here” — Axel Bertha on Against Nature
Tag: Karlovy Vary
Martha’s Folly
Small yet powerful, Five Years, Four Months takes an almost structuralist approach to grief, showing one mother’s unending journey to find her missing son.
The Kids Are Not Alright
Miroslav Terzić’s follow up to Stitches (2019) is a devastating exploration of the infinity cruelty of children that makes Adolescence look like Bluey.
Truly Cringe
My Friend the Porn Star appears to be curious about the porn industry, but it rarely leaves the rarefied air of very specific Viennese friend groups.
Captain Thunderbolt. A Real Ripper.
Returning to the big screen 72 years after its Karlovy Vary premiere, Cecil Holmes western Captain Thunderbolt is an unsung gem of early Australian cinema.
The Guest Is More Than Welcome
With echoes of classic Dogme 95, The Guest gets great mileage out of Trine Dyrholm as a chaotic mother upsetting a Danish christening.
“Men have a lot to learn from women” — João Rosas on The Luminous Life
The Luminous LIfe director João Rosas discusses using cinema as cartography and charting the life of the same child through different films.
John Garfield: The Father of Method Acting
Films by Gena Rowlands and John Garfield at Karlovy Vary International Film Festival show us the deep emotional power of the method acting approach.
Don’t Call Me Mama’s Scandalous Scandinavians
Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.
The Visitor’s Beautiful Baltic Banality
Despite its preponderance of gorgeous images, The Visitor provides an emotionally-detached experience that can’t match the magic of its visuals.