Not everything in Mosquitoes lands, but its big, and bold swings show off the ambition of Nicole and Valentina Bertani’s off-kilter coming-of-age vision.
Mosquitoes Is Big, Bold and More Than a Little Messy

Exploring the Outer Edge of Film
Not everything in Mosquitoes lands, but its big, and bold swings show off the ambition of Nicole and Valentina Bertani’s off-kilter coming-of-age vision.
Dry Leaf, Alexandre Koberidze’s much anticipated follow up to What Do We See When We Look At The Sky?, is another meandering exploration of family and football.
Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Israeli regime.
Ben Rivers’ latest feature is a long and meandering slog through the apocalypse that might work in a museum, but is deadening on the big screen.
Miguel Ángel Jiménez’s Piazza Grande film The Birthday Party lets Willem Dafoe chew the scenery, but its not one of his essential performances.
A man’s grief-induced amnesia provides excellent inspiration for a journey through the past in Sara Fgaier’s powerful debut Weightless.
A stoner comedy without the comedy; an arthouse drama without the art; a deep dive into social ills without going too deep; Critical Zone is inessential.
Sofia Exarchou, director of Animal, joins Journey Into Cinema to discuss sex, tourism, cheesy music and capitalism — live from Locarno Film Festival.
History, traffic, corporate malfeasance and toxic online culture combine in Radu Jude’s genre-bending new film Do Not Expect Too Much From The End of the World.