Hong Sangsoo’s latest film, The Day She Returns, is even more minimalist than usual, using just a handful of scenes to create a spare poem of differences.
A Few Small Beers
Exploring the Outer Edge of Film
Hong Sangsoo’s latest film, The Day She Returns, is even more minimalist than usual, using just a handful of scenes to create a spare poem of differences.
Patric Chiha’s A Russian Winter is a minor work, but a nonetheless rewarding one: capturing exiled Russian youth in a tragic holding pattern.
A clown’s life is turned upside down when her husband and two kids die in the emotionally resonant Four Minus Three, playing in Panorama.
Naval-gazing documentary Two Mountains Weighing Down My Chest is a funny, lacerating look at being caught between two very different cultures.
Set in Almería, Panorama entry Iván & Hadoum shows the difficulties of love blooming in the hard ground of labour exploitation.
Eva Libertad explains being inspired by her deaf sister and bridging hearing and non-hearing worlds for her powerful Panorama breakout Deaf.
The queer and political Panorama section of the Berlinale is the true meat and bones of the festival — we go deep into its extensive line-up!
Listening to Peter Hujar’s Day by Ira Sachs makes you wish you’d trade places with Ivan Denisovich. Live from the Panorama at Berlinale.
The burdens of working as a full-time caregiver are depicted in microscopic detail in Frelle Perersen’s assured Home Sweet Home.
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.