Steven Spielberg’s latest original science-fiction is a return to familiar territory, yet it pales in comparison to the famed directors’ greatest works.
In Disclosure Day, Spielberg Goes Astray
Exploring the Outer Edge of Film
Steven Spielberg’s latest original science-fiction is a return to familiar territory, yet it pales in comparison to the famed directors’ greatest works.
Bong Joon-Ho’s Mickey 17 is a loud and brash cartoonish science-fiction that has very little to say underneath its deafening bluster.
Piero Messina’s science-fiction Another End fails to inspire interesting questions or interest the viewer visually. It’s a bust, live from Berlin Film Festival.