Before You Fade Away Into Nothing is a truly rare thing: an all-American slow cinema film, tackling grief in a unique and fascinating way.
Before You Fade Away Into Nothing. Unhappy in its Own Way.
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Exploring the Outer Edge of Film
Before You Fade Away Into Nothing is a truly rare thing: an all-American slow cinema film, tackling grief in a unique and fascinating way.
Bong Joon-Ho’s Mickey 17 is a loud and brash cartoonish science-fiction that has very little to say underneath its deafening bluster.
Depictions of the end of communism intermingle with character studies of anxious men on an uneven day at the documentary festival DOK Leipzig.
La Cocina uses its kitchen-setting as a springboard for a grand Statement on America. But it ruins the main dish by adding too many flavours.
Miko Revereza brings his trademark diaristic style of digital filmmaking to a polyphonous exploration of family and history in Nowhere Near — playing at NYFF.
Going To Mars: The NIkki Giovanni Project is a fascinating documentary, but hides a more fascinating character study behind hagiography.
The revolutionary art of the “Godfather of video art” is given a dutiful biopic treatment in Name June Paik: Moon Is the Oldest TV.
The difficulties of ever seeing the full picture are acutely observed in Lucy Kerr’s arthouse debut Family Portrait, debuting at the Locarno Film Festival.
Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
Move over Joker? There’s a new angry white man in town, courtesy of Jesse Eisenberg in the blistering, problematic, increasingly enjoyable Manodrome.