Like every other film in its genre, No Paradise If You Are Killed by a Woman can’t help but make being a sniper look awesome; the drama is sadly not up to par.
Not Without My Sister
Exploring the Outer Edge of Film
Like every other film in its genre, No Paradise If You Are Killed by a Woman can’t help but make being a sniper look awesome; the drama is sadly not up to par.
While Big Little Things is based upon a well-worn queer premise, the execution gives us just enough complexity to stick with it.
Talky drama One Minute to Midnight is certainly pleasant, but its not gripping enough to justify inclusion in the Venice Competition.
Sabu’s Arrested Memory is a weird blend of crime comedy, emotional journey and martial arts movie. None of it really coheres.
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Stephan Komanderev uses the coronavirus pandemic to explore the horrors of labour exploitation in one of Europe’s poorest regions.
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
A father makes a devastating mistake in Tereza Nvotová’s Otec, bleak and hellish depiction of every parent’s worst nightmare.
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
Sarah Friedland’s potent debut takes time and care to depict the ins and outs of living with dementia, to powerful results. Live from Venice Film Festival.