Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Empty Incel Nonsense

Exploring the Outer Edge of Film
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Vermin is one of the downright nastiest yet compelling creature-features made in recent years, a true standout of the Venice Film Festival.
One man’s quixotic dream to host a Pink Floyd concert in the Amazon rainforest is frustratingly explored in The Outpost — live from Venice Film Festival.
Life Is Not a Competition, But I’m Winning imagines the future of queer and intersex people in sport in a variety of spirited and thoughtful means.