A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
My First Film Testifies to the Collective Energy Necessary for All Creation
Exploring the Outer Edge of Film
A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.
55 years in the making, Edgar Reitz’ wonderful Subject: Filmmaking is a charming case for obligatory film classes in schools everywhere.
Architecton has some awe-inspiring visuals, but its let down by its distracting high frame rate and suspect choice of images.
A rigorous and brutal documentation of Russian brutality in Ukraine, Intercepted’s absences stir the worst recesses of the human imagination.
As IDFA as an institution failed to find the correct response to pro-Palestinian activism, the films themselves had an equally knotty relationship to facts.
Going To Mars: The NIkki Giovanni Project is a fascinating documentary, but hides a more fascinating character study behind hagiography.
The revolutionary art of the “Godfather of video art” is given a dutiful biopic treatment in Name June Paik: Moon Is the Oldest TV.
One man’s quixotic dream to host a Pink Floyd concert in the Amazon rainforest is frustratingly explored in The Outpost — live from Venice Film Festival.
Keeping Mum investigates the difficulties of breaking generational trauma with open-heartedness and a willingness to embrace the cringe.