Shot in classic naturalist social realist style, What Belongs to Others is a portrait of a thief with an elusive, convincing performance by Monika Kwiatkowska.
What Belongs to Others Is a Chilling, Enigmatic Character Study
Exploring the Outer Edge of Film
Shot in classic naturalist social realist style, What Belongs to Others is a portrait of a thief with an elusive, convincing performance by Monika Kwiatkowska.
Subverting the usual expectations of true crime, The City of the Living is noticeable for the amount it focusses on the victim of a notorious Roman murder.
Francesca Archibugi’s Carla Lonzi, a Feminist Story is a touching remembrance of one of Italy’s most trailblazing feminists.
Un détour par Diane by Ann Sirot and Raphaël Balboni expertly blurs the boundaries between one woman’s lived experience and another’s emotional life.
Borrowing Reygadas’ DOP, Ana Cristina Barragán’s taboo-breaking film The Ivy doesn’t satisfy, even if it keeps us curious.
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Noomi Rapace is highly forbidding as the Saint of the Peripheries in Mitevska’s Mother Teresa biopic, yet this seven-day narrative ends up disappointing.
A father makes a devastating mistake in Tereza Nvotová’s Otec, bleak and hellish depiction of every parent’s worst nightmare.
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.