The Luminous LIfe director João Rosas discusses using cinema as cartography and charting the life of the same child through different films.
“Men have a lot to learn from women” — João Rosas on The Luminous Life
Interviews
“The whole film had to be a meeting place for deaf and hearing audiences” — Eva Libertad on her debut feature Deaf
Eva Libertad explains being inspired by her deaf sister and bridging hearing and non-hearing worlds for her powerful Panorama breakout Deaf.
“There’s all sorts of shit around a movie set. You don’t pay attention to all of it.” — Alex Ross Perry and Robert Greene on Pavements
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
“This is a story of becoming” – Philipp Fussenegger, Judy Landkammer and Susanne Heuer on The Teaches of Peaches
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.
“Any kind of worker has to put on a costume every day” — Sofia Exarchou on Animal
Sofia Exarchou, director of Animal, joins Journey Into Cinema to discuss sex, tourism, cheesy music and capitalism — live from Locarno Film Festival.
“We are not used to seeing these kinds of bodies” — Elene Naveriani on Blackbird Blackbird Blackberry
Elene Naveriani shares casting Eka Chavleishvili, portraying older bodies, and casting a critical eye over rural Georgia in Blackbird Blackbird Blackberry.
In Heroic, The Military Is Anything But (Review and Interview)
Through documentary-like framing and a cool distance from his characters, Zonana riffs on military classics to create a brutal yet intellectual critique of military culture.