Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Empty Incel Nonsense

Exploring the Outer Edge of Film
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
With alacrity and charm, Daphné Hérétakis’ short What we ask of a statue is that it doesn’t move takes aim at one of Greece’s most enduring national symbols.
Sofia Exarchou, director of Animal, joins Journey Into Cinema to discuss sex, tourism, cheesy music and capitalism — live from Locarno Film Festival.
The pitfalls of always providing entertainment are perfectly probed in Animal, Sofia Exarchou’s excellent sophomore film.