Sirens Call, Miri Ian Gossing and Lina Sieckmann’s impassioned look at modern-day merfolk, reinvents ancient myths for an increasinly fascist age.
Sirens Call. Mermaids and All.

Exploring the Outer Edge of Film
Sirens Call, Miri Ian Gossing and Lina Sieckmann’s impassioned look at modern-day merfolk, reinvents ancient myths for an increasinly fascist age.
The woods straddling Bulgaria and Turkey are imbued with multivalent meanings in Pepe Hristova’s Strandzha, playing in Harbour at IFFR.
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
Francisco Rodriguez Teare’s hybrid debut Otro Sol is a creative and crafty investigation of criminal and colonial legacies — in Chile and beyond.
Hippos become a metaphor for Colombia, the state of humanity and the world’s capacity for cruelty in Nelson Carlo De Los Santos Arias’s unclassifiable Pepe.
An Armenian animated documentary and a shape-shifting Ukrainian 90s-set film noir characterise a strong start to goEast Film Festival.