The use of artificial intelligence in Edgar Pêra’s Asphalt Guerrilla may be inspired by good intentions, but it bodes poorly for the future of documentaries.
Asphalt Guerrilla. The Paradoxes of AI Punk Filmmaking.
Tag: Locarno Film Festival
Mosquitoes Is Big, Bold and More Than a Little Messy
Not everything in Mosquitoes lands, but its big, and bold swings show off the ambition of Nicole and Valentina Bertani’s off-kilter coming-of-age vision.
Dry Leaf. A Bold Grasscutter.
Dry Leaf, Alexandre Koberidze’s much anticipated follow up to What Do We See When We Look At The Sky?, is another meandering exploration of family and football.
Balearic Can’t Find The Beat
Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
With Hasan in Gaza. Palestinian (Non-)Existence
Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Israeli regime.
Mare’s Nest Belongs in a Museum
Ben Rivers’ latest feature is a long and meandering slog through the apocalypse that might work in a museum, but is deadening on the big screen.
In The Birthday Party, The Rich Eat Themselves
Miguel Ángel Jiménez’s Piazza Grande film The Birthday Party lets Willem Dafoe chew the scenery, but its not one of his essential performances.
Weightless Goes in Search of Love Past
A man’s grief-induced amnesia provides excellent inspiration for a journey through the past in Sara Fgaier’s powerful debut Weightless.
Critical Zone Fails to Hold Interest
A stoner comedy without the comedy; an arthouse drama without the art; a deep dive into social ills without going too deep; Critical Zone is inessential.
“Any kind of worker has to put on a costume every day” — Sofia Exarchou on Animal
Sofia Exarchou, director of Animal, joins Journey Into Cinema to discuss sex, tourism, cheesy music and capitalism — live from Locarno Film Festival.