Exploring the Outer Edge of Film
Alexander Lind’s The Light investigates an incendiary art project that used bunkers as a metaphor for Danish collaboration during the Nazi occupation, live from Rotterdam.
Daniel Hui’s chamber piece makes the most of its limited location to provide fascinating ruminations on the reverberations of Singaporean history.
Science-fiction romance Eternal is pretty good for the first twenty minutes. Then it repeats the same point over and over again, to diminishing results.
Brazilian documentarian Julia De Simone’s first fiction feature imbues the past with the urgency of the present, breaking free of historical restraints.
Hybrid docu-fiction, serious European relationship dramas, and a big cross-border social issue drama, characterise a classic Rotterdam 2023 line up.
This daring portrait of the vaunted modernist artist Munch captures the spirit of the artist well by shaking up biopic formula.