Cannes is supposed to be a festival that supports auteur cinema. So why does the festival often give its most long-standing guests the cold shoulder?
Hard Pass: The Quixotic Politics of Cannes Rejections
Wellington Almeida
Wellington Almeida is a programmer, a film writer and a devoted cat lover.
Proving Humanity in the World of I’m Not a Robot
Oscar-nominated short I’m Not a Robot examines the line between humanity and identity, exploring the illusion of control with humour and precision.
“The whole film had to be a meeting place for deaf and hearing audiences” — Eva Libertad on her debut feature Deaf
Eva Libertad explains being inspired by her deaf sister and bridging hearing and non-hearing worlds for her powerful Panorama breakout Deaf.
Notes on a Scandal: How Fan Armies Are Reshaping Film Culture
The Emilia Pérez controversy is the latest example of how fan armies drive the discourse during awards season, reshaping the film world in the process.