Flesh and Fuel rises above its euro-drama trappings by capturing a great sense of sweetness and vulnerability among the continent’s gay trucking community.
Big Rigs. Even Bigger Feelings.
Exploring the Outer Edge of Film
Flesh and Fuel rises above its euro-drama trappings by capturing a great sense of sweetness and vulnerability among the continent’s gay trucking community.
Kelly Hughes’ long-unavailable and unique queer outsider artwork Twin Cheeks: Who Killed the Homecoming King? finally makes its way back into the public eye.
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Night Stage by Marcio Reolon, Filipe Matzembacher is a fun De Palma homage from Brazil that reinvents the queer erotic thriller.
References to Alfred Hitchock and Edward Yang does the paper-thin queer Taiwanese love story Blind Love no favours.
Some Nights I Feel Like Walking doesn’t buy into the glittery tropes of recent queer cinema — instead diving into the harsh realities of gay life.
Antoine Chevrollier’s Block Pass captures its working-class milieu well but suffers due to its tired secondhand framing of queer suffering.
A new restoration of Bugis Street underscores the queer and transgressive Singaporean film’s timeless message nearly 30 years after its release.
Two excellent queer-minded societal critiques had me wonder: perhaps the A in LGBTQA stands for Antalya.