While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
Out Of Love. Elevated Social Realism.

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
The spirit of Éric Rohmer lives on in João Rosas excellent Crystal Globe entry The Luminuous Life, capturing the perils of love under capitalism.
With no voiceover used, Maciej J. Drygas relies entirely on montage, music and sound design to use trains to tell the story of the twentieth century.
Jurassic World Rebirth is a welcome return to form for a franchise that had severely lost its way, even if the final screenplay is somewhat wanting.
Tim Key provides a masterclass of tragicomic acting in the subtle yet often hilarious The Ballad of Wallis Island, replete with brilliant folk songs.
Despite its beautiful scenery and excellent performances, coastal drama The Salt Path can’t walk its way into a compelling storyline.
With 1983’s Breathless, we see the key bridge between Godard’s playfulness and Taratino’s particularly American postmodernism. Available on Tubi!
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
A great canine acting talent is wasted in The Friend, a tale of Naomi Watts adopting a Great Dane that is heavy on the schmaltz, but lacking in punch.
Despite the powerful idea at its core, the fundamental premise of Dandelion’s Odyssey makes it extremely hard to identify with its characters.